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Small bundle of violin and violoncello bows

Violoncello makers' wood: a pair of spruce wedges for a violoncello table and six billets for violoncello bass bars and interior blocks

Four full size violoncello cases (4)

One hundred and fourteen violoncello endpin screws, fourteen violoncello endpin metal ferrules and screws, three old violoncello endpin plugs and ...

Violoncello neck blocks: a flamed maple block for a violoncello neck/scroll and a violin neck/scroll; also a flamed maple block for a violoncello ...

Modern half size violoncello, soft case; also a modern Hindersine Vivente half size violoncello, case, Primavera modern quarter size violoncello, ...

Modern violoncello, 29 7/8", 75.90cm, hard case

Violoncello tailpieces and tailons: five violoncello tailpieces (two integral four-tuner boxwood, an integral four-tuner ebony, an integral four-t...

Violoncello or bass table wood: a pair of spruce wedges for a violoncello table or a double bass with a slim upper body

Nickel mounted violoncello bow stamped W.B. Leomar, 78gm

Seven new ebony violoncello pegs; also approximately one hundred and ninety reusable ebony violoncello pegs, mostly in sets

Eight uncut violoncello bridges and seven refittable 'De Jacques' (self-adjusting feet) new or reusable violoncello bridges (15)

French three-quarter size violoncello labelled Mi-Fin, 27 3/8", 69.50cm; also two three-quarter size violoncello tables and five various violoncel...

Eighty 'Herdim' violoncello closing clamps adapted/extended by Hamilton Caswell's workshop for double bass (unique!)

Rosewood violoncello pegs and machine-heads; fifty-five good new rosewood pegs and approximately two hundred reusable rosewood violoncello pegs, m...

Five sticks for checking violoncello neck/fingerboard elevation; also  a quantity of vellum for making protective 'saddles' on the bridge under th...

One hundred and forty-seven old violoncello bridges, many with historic names of luthiers and violin houses; also twenty-two very old violoncello ...

Silver mounted violoncello bow by and stamped K Gliszczynski, the stick round, the ebony frog inlaid with pearl eyes and the ebony adjuster with t...

German nickel mounted violoncello bow by and stamped Alfred Knoll, the stick octagonal, the ebony frog plain and the ebony adjuster with one wide ...

Violoncello tools: a dial calliper for thicknessing plates, a scribing-gauge for contouring the arching, five soundpost setters, two soundpost-adj...

Tubes containing a large quantity of purfling for violin, viola, violoncello and double bass; also a box containing darkwood inlay for guitars or ...

Set of four gold mounted rosewood violoncello pegs, a set of four silver mounted ebony pegs and twenty 'Hill pattern' pegs with pips (mix of boxwo...

Silver mounted violoncello bow from the Finkle Workshop, Switzerland circa 1980, stamped Lefin, the stick round, the ebony frog plain and with a s...

Silver mounted violoncello bow stamped Roe, the stick octagonal, the ebony frog inlaid with silver rings enclosing pearl eyes and the ebony adjust...

French silver mounted violoncello bow probably from the workshop of N. Lapierre, the stick octagonal, the ebony frog inlaid with silver rings encl...

Interesting early English violoncello of the Kennedy Workshop in need of restoration, unlabelled, the two piece back of plainish wood with faint m...

German nickel mounted violoncello bow by and stamped G. Werner, 82gm; also an old nickel and ivory mounted violin bow, 54gm (without hair with par...

Good English silver mounted violoncello bow by and stamped P. Tunnicliffe, the stick round, the ebony frog inlaid with silver rings enclosing pear...

Silver mounted violoncello bow stamped J. Hel, the stick round, the ebony frog inlaid with pearl eyes and the ebony adjuster with two silver bands...

French silver mounted violoncello bow after the workshop of Millant and stamped R. & M. Millant á Paris, the stick round, the ebony frog inlaid wi...

Interesting early English violoncello from the Kennedy Workshop, the two piece back of plainish wood with similar wood to the sides and head, the ...

Good silver mounted violoncello bow indistinctly stamped N.V.DEN.M. ADAM, the stick round, the ebony frog inlaid with pearl eyes and the ebony adj...

Interesting old violoncello with five ply purfling, unlabelled, the two piece back of very faint medium curl with similar wood to the sides and he...

Good late 19th century/early 20th century violoncello, unlabelled, the two piece back of faint medium curl with similar wood to the sides and head...

Good German Mittenwald violoncello circa 1880, unlabelled, the two piece back of very faint medium curl with similar wood to the sides, the head o...

Early 20th century German violoncello, unlabelled, the two piece back of medium curl with similar wood to the sides and head, the table of a mediu...

19th century violoncello bearing a repairer's label dated 1938, the two piece back of very faint medium curl with similar wood to the sides, the h...

Interesting late 18th century violoncello indistinctly labelled Made by James...1794, no. 1, Voilincelo, the one piece back of very faint medium/f...

Good quality maple and spruce aged wood suitable for making one violoncello; with two matched quarter-cut glamorous (maple backs), two straight-gr...

Good quality maple and spruce aged wood suitable for making one violoncello; with two matched quarter-cut glamorous (maple backs), two straight-gr...

Good quality maple and spruce aged wood suitable for making one violoncello; with two matched quarter-cut glamorous (maple backs), two straight-gr...

Good modern English violoncello by William Piper and labelled The English Cello, Especially Handmade in England for Cremona House Violin Shop, Bri...

Good quality maple and spruce aged wood suitable for making one violoncello; with two matched quarter-cut glamorous (maple backs), two straight-gr...

Good quality maple and spruce aged wood suitable for making one violoncello; with two matched quarter-cut glamorous (maple backs), two straight-gr...

Good quality maple and spruce aged wood suitable for making one violoncello; with two matched quarter-cut glamorous (maple backs), two straight-gr...

French violoncello labelled Modele d'Apres, Victor De Moyer, Luthier d'Art á Gand. Anno 1916; also stamped V. De Moyer L á Gand to the inner back,...

Violin/viola mutes: twelve 'Heifitz', fourteen 'Sonella', sixteen ebony 'Trident', two boxwood 'Trident', twenty ebonite 'Trident', two heavy viol...

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