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An original 1966 Wembley Stadium seat, numbered 89, with Certificate of Authenticity number with
An original 1966 Wembley Stadium seat, numbered 89, with Certificate of Authenticity number with exclusive number 1877/2000, within a frame includ...
An original 1966 seat back from Wembley National Stadium, seat number 28, signed by Gordon Banks,
An original 1966 seat back from Wembley National Stadium, seat number 28, signed by Gordon Banks, Jeff Hurst and Martin Peters, framed with photog...
A portfolio of architectural drawings including Cape by the Sea, mid 1930s Art Deco period.
A Peter Scott framed print of geese flying together with two prints of Stamford.
Cyril. J. Mayes (British 20th century): a Stamford church view, watercolour on paper, signed and
Cyril. J. Mayes (British 20th century): a Stamford church view, watercolour on paper, signed and dated '80 bottom left, 32 by 50cm, framed and gla...
Four 19th century Mail Coach prints, framed and glazed, 21.5cm by 33cm.
Three 20th century watercolours: Trevor Perkins, winter landscape, 12 by 29cm, W B Thomas, beach
Three 20th century watercolours: Trevor Perkins, winter landscape, 12 by 29cm, W B Thomas, beach scene, 26 by 30cm, J Halford Ross, bridge across ...
IV. Ilieva (20th century): sunset, oil on board, 15 by 20cm.
William Henry Earp (1831/3-1914): Loch Lomond, watercolour, signed.
Peggy Meadows (20th Century British): a Northamptonshire scene with chickens, watercolour on
Peggy Meadows (20th Century British): a Northamptonshire scene with chickens, watercolour on paper, signed bottom right, 31 by 22cm, framed and gl...
An early 20th century oil on board depicting four trees in landscape, unsigned, 22 by 29cm.
A 19th century oil on board depicting figures cooking beside a river, 19 by 26cm.
Phyllis Hole (20th century): A watercolour on paper depicting sunflowers, signed bottom left, 54cm
Phyllis Hole (20th century): A watercolour on paper depicting sunflowers, signed bottom left, 54cm by 36cm.
Winifred A Forster( 20th century): An oil on canvas titled "Spring Outburst" signed and dated 1972
Winifred A Forster( 20th century): An oil on canvas titled "Spring Outburst" signed and dated 1972 lower left, 50cm by 76cm.
A pair of early 20th century EJ Harrinton prints, 55 by 27cm.
A 20th century watercolour of a river scene, apparently unsigned, 39 by 49cm, framed and glazed.
A 20th century watercolour of a river scene, apparently unsigned, 39 by 49cm, framed and glazed.
After Sue Macartney-Snape (b.1957): a limited edition print entitled 'Pass the Port', number 517
After Sue Macartney-Snape (b.1957): a limited edition print entitled 'Pass the Port', number 517 of 750, 48 by 37cm, together with after Catherine...
An abstract landscape, also oil on board, monogram M. H. bottom right, 20 by 30cm, framed, together with a watercolour and pencil study of a Fries...
A 19th century still life of flowers in a vase, apparently unsigned, oil on canvas, 60 by 45cm,
A 19th century still life of flowers in a vase, apparently unsigned, oil on canvas, 60 by 45cm, framed and with picture light to the frame.
A pair of mid 20th century watercolours of Parisien street scenes, Rue de Grands-Degres, and Rue
A pair of mid 20th century watercolours of Parisien street scenes, Rue de Grands-Degres, and Rue Noirvins, each signed indistinctly bottom right, ...
A map of Huntingdonshire, 73 by 56cm, framed and glazed and another of Northamptonshire, 70 by 52,
A map of Huntingdonshire, 73 by 56cm, framed and glazed and another of Northamptonshire, 70 by 52, framed and glazed. (2)
A map of Devon, 67 by 53cm, and another of The British Isles, 43 by 54cm, both framed and glazed. (
A map of Devon, 67 by 53cm, and another of The British Isles, 43 by 54cm, both framed and glazed. (2)
Earnest Herman Ehlers R.W.A. (1858-1943): owl in the moonlight with bird, oil on board.
Gustave Dore (French, 1832-1883): The Legend of the Wandering Jew, a series of twelve engravings,
Gustave Dore (French, 1832-1883): The Legend of the Wandering Jew, a series of twelve engravings, illustrations, each framed and bearing inscripti...
Audrey Hammond (20th century): A Lane in Spring, Guiting Power, and The Mill House, Windrush,
Audrey Hammond (20th century): A Lane in Spring, Guiting Power, and The Mill House, Windrush, watercolour, 14 by 34cm and 23 by 36cm respectively.
Two 18th century engravings, printed by J&P Knapton of London, 1742, portraits of Sir Henry Vane and
Two 18th century engravings, printed by J&P Knapton of London, 1742, portraits of Sir Henry Vane and Ben Johnson, 38 by 24cm.
A 19th century oil on canvas, depicting fishing boat on rough seas, together with a watercolour by H
A 19th century oil on canvas, depicting fishing boat on rough seas, together with a watercolour by H Walter depicting boats on the shore.
Attributed to Samuel Owen (1769-1887): sailing ships, watercolour on paper, unsigned, each 8 by
Attributed to Samuel Owen (1769-1887): sailing ships, watercolour on paper, unsigned, each 8 by 14cm.
Attributed to Samuel Owen (1769-1887): sailing ships, watercolour on paper, unsigned, each 8 by
Attributed to Samuel Owen (1769-1887): sailing ships, watercolour on paper, unsigned, each 8 by 14cm.
Lawrence Klonaris (20th century): James Hunt 1976 World Champion, McLaren M23, limited edition print
Lawrence Klonaris (20th century): James Hunt 1976 World Champion, McLaren M23, limited edition print 373/500 signed by James Hunt.The print is fad...
Alexander Wilson (British Contemporary): still life study of red roses in a vase, signed bottom
Alexander Wilson (British Contemporary): still life study of red roses in a vase, signed bottom left, oil on board, 39 by 29cm, framed.
A pair of modern giltwood carved and pierced frames, in the 17th century style, 111 by 85cm.
A pair of modern giltwood carved and pierced frames, in the 17th century style, 111 by 85cm.
A 19th century oil on board, depicting fishing boats on rough seas, apparently unsigned, 43 by 56cm.
A 19th century oil on board, depicting fishing boats on rough seas, apparently unsigned, 43 by 56cm.
W.H. Hopkins (19th century): Forrard Away, hunting scene, oil on board, stamped Migreaman of
W.H. Hopkins (19th century): Forrard Away, hunting scene, oil on board, stamped Migreaman of London and dated 1879 lower left, 68 by 25cm.
A 19th century oil on canvas, depicting cattle and sheep, oil on canvas, indistinctly signed H.
A 19th century oil on canvas, depicting cattle and sheep, oil on canvas, indistinctly signed H. Hin....al ??, 30 by 32cm.
Richard Dighton (1795-1880): Admiral Rous and Mr Geo Payne 'Fathers of the Turf, watercolour
Richard Dighton (1795-1880): Admiral Rous and Mr Geo Payne 'Fathers of the Turf, watercolour heightened with ink, unsigned, 20 by 14cm.
After Albert Bredow (1828-1899): Monestary Garden in the Snow, oil on canvas, 98 by 142cm.
An English School 18th century oil on canvas, depicting cattle and sheep, apparently unsigned, 75 by
An English School 18th century oil on canvas, depicting cattle and sheep, apparently unsigned, 75 by 66cm.
An 18th century French oil on canvas, depicting battle scene, apparently unsigned, unframed, 77 by
An 18th century French oil on canvas, depicting battle scene, apparently unsigned, unframed, 77 by 102cm.
Circle of Gainsborough, 19th century, cottage with figures in wooded landscape, oil on canvas, 27 by
Circle of Gainsborough, 19th century, cottage with figures in wooded landscape, oil on canvas, 27 by 34cm, in a Chippendale period giltwood frame ...
An 18th century oval oil on canvas, depicting a young woman wearing a gown with jewel brooch,
An 18th century oval oil on canvas, depicting a young woman wearing a gown with jewel brooch, indistinct signature E Bros...?? unframed, 73 by 58c...
Attributed to William Mellor (1851-1931): Bolton Abbey, viewed from the river with cattle in the
Attributed to William Mellor (1851-1931): Bolton Abbey, viewed from the river with cattle in the foreground, oil, framed and glazed with attributi...
An 18th century portrait of a Lady, depicted wearing blue and orange silk drapes, manner of Lely, in
An 18th century portrait of a Lady, depicted wearing blue and orange silk drapes, manner of Lely, in an oval giltwood frame, 64 by 52cm.
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