Pictures, 19th/20th Century Design, Ceramics & Collectors Items

Line engraving by Robert van Voerst, originally published 1634, this impression slightly later Image 34.7 x 52.7cm (sight) Provenance: Collection ...

Six, etchings, from the set of 52, published c.1792, in gilt-lettered verre eglomise mounts, later gilt frames Each 10 x 16cm approx. (6). *CR Not...

To comprise Melbourne House, White-Hall; Old Palace Yard; John Street, Adelphi; Part of Somerset Place; Front of St Martin's Church, Strand; North...

Eight etchings (from the suite of twelve), published by the artist, 1775 39 x 31.5cm approx. (8). *CR Fair; each with some foxing and/or light cre...

Two etchings with fine hand colouring, published by the artist and engraver at Bienne Each 28 x 42cm or slightly smaller (2). *CR Plate I generall...

Etching with aquatint, by H. Merke, from the drawing by Samuel Howitt, published by T. McLean, 1819 31 x 44cm. *CR Stained and discoloured; the co...

Two pairs, each engravings with etching, finished by hand in red and blue gouache, no titles showing, matching gilt frames Two 48 x 60cm approx; t...

A pair, etchings with extensive hand colouring, published in Rome, 1780 50 x 74.5cm and 51 x 73cm. (2). *CR Each with paper mount inscribed as tit...

Engraving by John Sturt (1658-1730), with later hand-colouring, originally published c.1698, this impression apparently 18th Century, paginated in...

Two, mezzotints, by D. Lucas, published by F. G. Moon, 1834, period maple veneered frames Each 56.5 x 39cm. (2). *CR Each speckled with foxing; so...

Etching, signed in pencil 26.7 x 22cm. *CR Apparently good condition but not examined out of frame.

Bodycolour on paper laid on panel Panel size 21.5 x 26.5cm. * After Albani's oil on copper on panel, 17.5 x 35.5cm, c.1615-1620 (Paris, Louvre). A...

Signed, dated indistinctly (1806?), bears title in lower margin, watercolour and pencil 40.5 x 56.5cm. *CR Evident and extensive fading.

Two, each inscribed with title in ink, the latter further inscribed `Size rather less than a rat. inhabits gravelly places in the desert burrowing...

Watercolour 15.5 x 22.5cm. * Possibly attributable to Miles Edmund Cotman (1810-1858) Provenance: London, Christies, April (12th/13th?) 1934, Coll...

Watercolour and pencil heightened with bodycolour, a sketch 37.5 x 25.5cm. Provenance: W. Hale-White, May 1948; by whom given to `Cecily`, a desce...

Signed, watercolour and pencil 22.5 x 33cm. Literature: C. E. G. Blunt, `The Little Masters of English Landscape` (1949), p.45, colour plate 9 Rep...

Watercolour 45 x 79.5cm. Provenance: Hampton Hill, The Hampton Hill Gallery Ltd (1980s?) *CR Some repaired grazes, tears and scuffs (noticeable bu...

Watercolour 29 x 46cm. *CR Fading; unobtrusive blemishes and slight scuffs in the sky upper right.

Signed, watercolour 18.5 x 26cm. * In 1829, Cox and his family stayed at Gravesend not far from Mrs Cox's sister in the same street. Cox exhibited...

Four, each with original pencil title inscribed on paper label attached to new backpaper, watercolour over traces of pencil Each 14.5 x 19.5cm. (4...

Signed and dated 1906, inscribed with title (last word indistinct) on label verso (photocopy now on backboard), watercolour laid down on card 44.5...

Watercolour, a sketch 36 x 18.5cm. *CR Slight fading; a little foxing.

Two, each signed, each also signed and inscribed and dated 1906 on a label attached to the backboard, watercolour Each 16.5 x 24.5cm. (2). *CR Eac...

A pair, both signed and dated 1914, watercolour Each 24.5 x 34.5cm. (2) Provenance: Henley on Thames, Christopher Cole Fine Paintings Ltd. *CR Eac...

Signed and dated 68, watercolour heightened with white 31 x 63.5cm. Provenance: Reigate, Bourne Gallery Ltd. *CR Some fading; needs a light clean.

Signed, watercolour heightened with scratching out 34 x 61.5cm. Provenance: Farnham Common, Noel Gregory Gallery, 1980s. *CR Fading; some discolou...

Signed and dated 1863, watercolour heightened with bodycolour, in a fine period frame with low relief Gothic decoration to the frieze 51 x 40cm. P...

Watercolour 14.5 x 24.5cm. *CR Slight fading; needs a light clean.

Signed and dated 1859, watercolour heightened with white 29.5 x 44cm. Provenance: Painswick, Heather Newman. *CR Slight fading in the trees; needs...

A pair, both signed, watercolour Each 31.5 x 51.5cm. (2). *CR Some fading and discoloration; each needs a light clean.

Two, one signed and inscribed 'Bernard Partridge fecit/ a:d .xiii Kal. Feb. M.dccc.xc.v' #1895, pencil and washes en grisaille 45.5 cx 30.5cm; and...

Pen and sepia ink over traces of pencil 15 x 23.5cm. The caption (printed on tab affixed to the backboard): Mrs MacSmythe (who has got into a new ...

Signed, watercolour with pen and ink 34 x 23cm. *CR Slight fading; needs a light clean.

Signed, watercolour and pencil 34 x 22cm. *CR Foxing; slightly faded.

Signed faintly lower left, bears later inscribed label on backboard, watercolour heightened with white, over traces of pencil 49.5 x 75cm. Provena...

Signed and dated 1914, inscribed with title, gouache 42.5cm x 65.5cm. *CR Generally good condition.

Signed, gouache 44 x 61.5cm. *CR Some pigment transfer to the reverse of the glass.

Signed and inscribed with title, gouache 38.5cm x 58cm. *CR Some slight surface scuffs.

Unsigned, gouache 32x 41cm. *CR Some slight surface blemishes.

Signed, watercolour and pencil heightened with white 41.5 x 75cm. *CR Faded and discoloured; some slight blemishes in the sky.

Signed with initials and inscribed with title (`Cowes 16 Augt 14`), watercolour and pencil heightened with white 23 x 29cm. *CR Some foxing; some ...

Oil on canvas, within a modern `Tabernacle` frame 69 x 49cm. *CR Lined; some associated retouching.

Oil on shaped and joined panels, with later additions, unframed 43 x 46cm. * The garlands are by a later hand, apparently Roman 17th Century. *CR ...

Inscribed indistinctly verso (probably the name of the copyist), oil on canvas, in a carved and gilded `Florentine` frame 71.5 x 56cm. * After Dol...

Oil on canvas 29 x 39cm. *CR Old lining; very worn; old losses to the canvas notably lower left and lower right (partially obscured by the mount);...

Oil on canvas 15.5 x 21cm. *CR Lined; some craquelure; areas of slight abrasion; retouching.

A pair, oil on panel Each 26.5cm. (2). *CR The latter with fine splits; each needs a clean.

Oil on canvas, modern 81.5 x 63.5cm. * A recent copy of the 1670 original (St Petersburg, Hermitage). *CR Good condition.

Bears signature, oil on canvas 32 x 24cm. *CR Lined; retouching; slight craquelure; some slight abrasion in a few places.

Oil on canvas, unframed 120 x 95cm. *CR Lined; damages and re-attached flaked losses; craquelure; retouching; needs a clean; fair only.

Oil on canvas 71 x 96cm. *CR Lined; a little worn; damage in trees upper right; some bloom; scattered retouching apparent across the composition, ...

Oil on canvas 75 x 62.5cm. *CR Lined; some slight abrasion; retouching, notably upper left.

A near pair, oil on canvas Each 18 x 28.5cm approx. (2) * Derived from Wilson's original compositions, respectively Tate, c.1770-1775; Petworth Ho...

Bears initials JC, attribution on frame to `J. Constable RA`, oil on panel, under glass in a period gilt frame 19.5 x 27cm. *CR Needs a clean.

Oil on canvas 36 x 59cm. * After the original in The Army & Navy Club, London. *CR Lined; flaked losses, notably on left and in sails of vessel on...

Quarter length, wearing a blue dress with lace collar and bow, black lace shawl, a string of pearls in her hair, oil on canvas, within a painted o...

Quarter length, her head turned to the left, wearing a pink dress and pale green mantle, oil on canvas, oval 36.5 x 26cm. *CR Lined; some craquelu...

Seated half length, wearing a black plumed hat and a white dress with pink sash and pink-ribboned sleeves, oil on panel, mounted oval 27.5 x 22.5c...