An Auction of Fine Paintings, ** PLEASE NOTE, NEW SALE DAY - NOW ON TUESDAYS

To Include Oils, Watercolours, Prints, Engravings, Some Frames and Studio Pottery

19 items 19 items
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gavel View all auctions for John Nicholson's
room Haslemere, Surrey

Auction details

An Auction of Fine Paintings, ** PLEASE NOTE, NEW SALE DAY - NOW ON TUESDAYS

To Include Oils, Watercolours, Prints, Engravings, Some Frames and Studio Pottery

Auction closed
gavel View all auctions for John Nicholson's

Auction dates

  • ( Lots: 1-406)

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  • 09:00 BST - 17:00 BST
  • 10:00 BST - 14:00 BST
  • 09:00 BST - 17:00 BST
  • 09:00 BST - 11:00 BST

Auction details

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Currency: GBP
Buyer's premium Inc. VAT/sales tax: 30.00%
Online commission inc. VAT/sales tax: 6.00%

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  • Prints & Multiples (19)

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  • Etching (19)
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Lot 1

Thomas Rowlandson (1756-1827), 'Inn Yard on Fire', etching and aquatint, image size 13" x 18" (33

1Thomas Rowlandson (1756-1827), 'Inn Yard on Fire', etching and aquatint, image size 13" x 18" (33
John Nicholson's

Thomas Rowlandson (1756-1827), 'Inn Yard on Fire', etching and aquatint, image size 13" x 18" (33 x 46cm).

Lot 2

Thomas Rowlandson (1756-1827), 'The Hanoverian Horse and British Lion', etching, plate size, 10" x

2Thomas Rowlandson (1756-1827), 'The Hanoverian Horse and British Lion', etching, plate size, 10" x
John Nicholson's

Thomas Rowlandson (1756-1827), 'The Hanoverian Horse and British Lion', etching, plate size, 10" x 13.75" (25.5 x 35cm), unframed.

Lot 3

Thomas Rowlandson (1756-1827), 'The Hanoverian Horse and British Lion', hand coloured etching, plate

3Thomas Rowlandson (1756-1827), 'The Hanoverian Horse and British Lion', hand coloured etching, plate
John Nicholson's

Thomas Rowlandson (1756-1827), 'The Hanoverian Horse and British Lion', hand coloured etching, plate size, 10" x 13.75" (25.5 x 35cm), unframed.

Lot 4

Thomas Rowlandson (1756-1827), 'A Grose Way of Discharging the Debt of a Contractor', hand

4Thomas Rowlandson (1756-1827), 'A Grose Way of Discharging the Debt of a Contractor', hand
John Nicholson's

Thomas Rowlandson (1756-1827), 'A Grose Way of Discharging the Debt of a Contractor', hand coloured etching, plate size 9.75" x 13.75" (25 x 35cm)...

Lot 5

Thomas Rowlandson (1756-1827), 'The Corporal in Good Quarters', hand coloured etching, plate size

5Thomas Rowlandson (1756-1827), 'The Corporal in Good Quarters', hand coloured etching, plate size
John Nicholson's

Thomas Rowlandson (1756-1827), 'The Corporal in Good Quarters', hand coloured etching, plate size 12" x 9" (30 x 23cm), unframed.

Lot 6

Thomas Rowlandson (1756-1827), 'Colonel Wardles Exhibition of Extracting Bubbles from Saline

6Thomas Rowlandson (1756-1827), 'Colonel Wardles Exhibition of Extracting Bubbles from Saline
John Nicholson's

Thomas Rowlandson (1756-1827), 'Colonel Wardles Exhibition of Extracting Bubbles from Saline Particles', hand coloured etching, plate size 9.5" x ...

Lot 7

Thomas Rowlandson (1756-1827), 'Westminster Races, A Political Heat run in Covent Garden',

7Thomas Rowlandson (1756-1827), 'Westminster Races, A Political Heat run in Covent Garden',
John Nicholson's

Thomas Rowlandson (1756-1827), 'Westminster Races, A Political Heat run in Covent Garden', etching, trimmed 8.25" x 13.75" (21 x 35cm) overall, un...

Lot 8

Thomas Rowlandson (1756-1827), 'Billy Lackbeard and Charley Blackbeard playing at Football',

8Thomas Rowlandson (1756-1827), 'Billy Lackbeard and Charley Blackbeard playing at Football',
John Nicholson's

Thomas Rowlandson (1756-1827), 'Billy Lackbeard and Charley Blackbeard playing at Football', etching, plate size 9.75" x 13.75" (25 x 35cm), unfra...

Lot 10

Jochem Roman Schneider (b. 1951), 'Partnership' colour etching, signed and inscribed in pencil,

10Jochem Roman Schneider (b. 1951), 'Partnership' colour etching, signed and inscribed in pencil,
John Nicholson's

Jochem Roman Schneider (b. 1951), 'Partnership' colour etching, signed and inscribed in pencil, image size 18.5" x 23.25" (47 x 59cm).

Lot 19

Ravenet after Hogarth, Marriage a la Mode, Plate IV, hand coloured etching, 13.25" x 17.25" (33.5

19Ravenet after Hogarth, Marriage a la Mode, Plate IV, hand coloured etching, 13.25" x 17.25" (33.5
John Nicholson's

Ravenet after Hogarth, Marriage a la Mode, Plate IV, hand coloured etching, 13.25" x 17.25" (33.5 x 44cm).

Lot 35

Paul Van Ryssel after J. F. Millet, 'La Frileuse', etching, initialled and signed in the plate,

35Paul Van Ryssel after J. F. Millet, 'La Frileuse', etching, initialled and signed in the plate,
John Nicholson's

Paul Van Ryssel after J. F. Millet, 'La Frileuse', etching, initialled and signed in the plate, plate size 5.25" x 3" (13.5 x 7.5cm).

Lot 36

Stephen Parrish, a river landscape, etching, signed in pencil and inscribed 'Ten Proofs Only',

36Stephen Parrish, a river landscape, etching, signed in pencil and inscribed 'Ten Proofs Only',
John Nicholson's

Stephen Parrish, a river landscape, etching, signed in pencil and inscribed 'Ten Proofs Only', remnants of label verso, 3.25" x 5.5" (8.5 x 14cm).

Lot 42

Michael Blaker, 'The Old Bridge, Shoreham', etching, signed in pencil, inscribed and numbered 1/

42Michael Blaker, 'The Old Bridge, Shoreham', etching, signed in pencil, inscribed and numbered 1/
John Nicholson's

Michael Blaker, 'The Old Bridge, Shoreham', etching, signed in pencil, inscribed and numbered 1/30, plate size 11" x 14" (28 x 36cm).

Lot 43

Sidney McKenzie Litten, shipping on a broad river, etching, signed in pencil, plate size 5" x 7" (

43Sidney McKenzie Litten, shipping on a broad river, etching, signed in pencil, plate size 5" x 7" (
John Nicholson's

Sidney McKenzie Litten, shipping on a broad river, etching, signed in pencil, plate size 5" x 7" (12.5 x 17.5cm), a/f.

Lot 45

Modern British School, 'Genetic Imprint', colour printed etching, indistinctly signed, inscribed

45Modern British School, 'Genetic Imprint', colour printed etching, indistinctly signed, inscribed
John Nicholson's

Modern British School, 'Genetic Imprint', colour printed etching, indistinctly signed, inscribed in pencil and marked A/P, plate size 9.5" x 6.75"...

Lot 47

A. Lalauze after Burne Jones, 'The Beguiling of Merlin', etching, plate size 10" x 6" (25.5 x 15cm),

47A. Lalauze after Burne Jones, 'The Beguiling of Merlin', etching, plate size 10" x 6" (25.5 x 15cm),
John Nicholson's

A. Lalauze after Burne Jones, 'The Beguiling of Merlin', etching, plate size 10" x 6" (25.5 x 15cm), unframed, a/f.

Lot 48

Pinelli after Goldicutt, 'Antiquities of Sicily', a collection of etchings published 1819, 14" x 10"

48Pinelli after Goldicutt, 'Antiquities of Sicily', a collection of etchings published 1819, 14" x 10"
John Nicholson's

Pinelli after Goldicutt, 'Antiquities of Sicily', a collection of etchings published 1819, 14" x 10" (36 x 26cm), unframed, (q).

Lot 82

John Fullwood (1854-1931), a collection of three pencil signed etchings, the smallest plate size

82John Fullwood (1854-1931), a collection of three pencil signed etchings, the smallest plate size
John Nicholson's

John Fullwood (1854-1931), a collection of three pencil signed etchings, the smallest plate size 7" x 10" (18 x 25cm), the largest plate size 10.5...

Lot 89

Charles Cottet (1863-1925) French, a society lady, etching in colours, signed in pencil, plate

89Charles Cottet (1863-1925) French, a society lady, etching in colours, signed in pencil, plate
John Nicholson's

Charles Cottet (1863-1925) French, a society lady, etching in colours, signed in pencil, plate size 4.25" x 4.25" (11 x 11cm), along with another ...

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