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Five coarse French provincial monogrammed sheets and one plain (6)
After Edward Dayes (1763–1804), aquatint and engraving, View of Queen Square, published 1st July
After Edward Dayes (1763–1804), aquatint and engraving, View of Queen Square, published 1st July 1789 by R. Pollard, London, Gallery label verso, ...
A folio of 18th and 19th century colour lithographs and prints including after Thomas Rowlandson, ‘
A folio of 18th and 19th century colour lithographs and prints including after Thomas Rowlandson, ‘Dr. Syntax in the Glasshouse’, published March ...
Mabel Catherine Robinson (1875-1953), etching, 'The Harbour Masters Limehouse', signed in pencil, 32
Mabel Catherine Robinson (1875-1953), etching, 'The Harbour Masters Limehouse', signed in pencil, 32 x 19cm
Two 19th century colour engravings, Corpus Christi College and Christchurch Cathedral, one published
Two 19th century colour engravings, Corpus Christi College and Christchurch Cathedral, one published May 1st, 1841 for R. Ackermann's History of O...
After George Romney (British 1734-1802), mezzotint, The Honourable and Right Reverend Shute Barrington, engraved by John Jones, 49 x 34cm
Four pencil signed prints including Hugh Casson (1910-1999), 'Cathedral', Robert R. Greenhalf (b.
Four pencil signed prints including Hugh Casson (1910-1999), 'Cathedral', Robert R. Greenhalf (b.1950) 'Two Highland Over' and Phil Greenwood (b.1...
A collection of Japanese woodblock prints, including one after Moriya Jihei (Kinshindo - Mori) and
A collection of Japanese woodblock prints, including one after Moriya Jihei (Kinshindo - Mori) and one after Toyokuni, largest 38 x 50cm
Ken Daley, colour etching, ‘Bathing’, signed in pencil and dated 1965, limited edition 1/40, 58 x
Ken Daley, colour etching, ‘Bathing’, signed in pencil and dated 1965, limited edition 1/40, 58 x 75cm
Jeffrey Edwards (b.1945), colour screenprint, A narrow escape, signed and dated '73 and pencil
Jeffrey Edwards (b.1945), colour screenprint, A narrow escape, signed and dated '73 and pencil numbered 12 of 85, 77 x 90cm
After Rudolph Ackermann (1764-1834) and James Ward (1769-1859), two black and white engravings, '
After Rudolph Ackermann (1764-1834) and James Ward (1769-1859), two black and white engravings, 'Copenhagen' and 'Marengo', Wellington and Napole...
Carry Akroyd (b.1953), colour screen print, 'Oak among birch', signed and dated '09, limited edition
Carry Akroyd (b.1953), colour screen print, 'Oak among birch', signed and dated '09, limited edition 1 of 5, 62 x 43cm Good condition. Measuremen...
John Brunsden (British, 1933-2014), two etching and aquatints, ‘Marlborough Downs’ and ‘West
John Brunsden (British, 1933-2014), two etching and aquatints, ‘Marlborough Downs’ and ‘West Milton’, each pencil signed and limited edition, larg...
John Piper (1903 - 1992), Backcloth design by John Piper for Benjamin Britten's opera Death in
John Piper (1903 - 1992), Backcloth design by John Piper for Benjamin Britten's opera Death in Venice signed coloured print, 42cm x 69.5cm
After William Hogarth (1697-1764), three satirical etchings including 'A Harlots Progress', Plate 1,
After William Hogarth (1697-1764), three satirical etchings including 'A Harlots Progress', Plate 1, 33 x 39cm
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