Editions and Works on Paper 1500 - 2023

** Albrecht Dürer (1471-1528)Veronica with Saints Peter and Paul, from: The Small PassionWoodcut, 1510, but from the Latin text edition of 1511, a...

** Albrecht Dürer (1471-1528)Saints Stephen, Sixtus and LawrenceWoodcut, circa 1504-1505, an evenly inked Meder d (of f) impression on laid paper ...

Albrecht Dürer (1471-1528)The Lamentation, from "The Engraved Passion"Engraving, 1501, an excellent luminous and richly inked Meder a (of c) impre...

Albrecht Dürer (1471-1528)The Lamentation, from "The Small Passion"Woodcut, circa 1510, a good impression from the Latin text edition, on laid pap...

Albrecht Dürer (1471-1528)Christ on the Mount of Olives, from "The Small Passion"Woodcut, circa 1510, a well inked impression from the Latin text ...

Albrecht Dürer (1471-1528)Four woodcuts, from "The Small Passion"Woodcuts, circa 1509-1511, three from the Latin text edition, each sheet approx. ...

Albrecht Dürer (1471-1528)Hercules conquering Cacus (Hercules conquering the Molionide Twins)Woodcut, circa 1496, a later Meder III c impression, ...

Pieter Claesz Soutman (1580-1657) and Jonas Suyderhoef (1613-1686)Collection of six works after Peter Paul Rubens (1577-1640)Engravings, including...

Peter Paul Rubens (1577-1640), Circle of.Seated shepherd holding a crookBlack chalk, touches of white, watercolour wash, on buff laid paper inset ...

Pier Francesco Mola (1612-1666), Circle of.Judith and HolofernesPen and dark brown ink, brush and brown wash, sheet 120 x 150 mm (4 3/4 x 5 7/8 in...

Donato Creti (1671-1749)Madonna and Child on a cloudPen and brown ink, sheet 207 x 144 mm (8 1/4 x 5 5/8 in), later ink manuscript accounting vers...

Giovanni Battista Piranesi (1720-1788)Two prints from 'Vedute di Roma': Veduta del Porto di Ripa Grande [H. 27 ii/vi]; and Veduta del Tempio di Gi...

Giovanni Battista Piranesi (1720-1788)Veduta dell' Arco di Costantino, e dell' Anfiteatro Flavio detto il Colosseo, from 'Vedute di Roma'Etching, ...

Giovanni Battista Piranesi (1720-1788)Veduta dell'Anfiteatro Flavio, detto il Colosseo, from 'Vedute di Roma'Etching, 1757, an excellent well inke...

Giovanni Battista Piranesi (1720-1788)Veduta del Sepolcro di Cajo Cestio, from 'Vedute di Roma'Etching, 1756, an excellent well inked impression o...

Giovanni Battista Piranesi (1720-1788)Veduta degli Avanzi del Foro di Nerva, from 'Vedute di Roma'Etching, 1770, an excellent well inked impressio...

Giovanni Battista Piranesi (1720-1788)The Well, plate XIII, from: Carceri d'InvenzioneEtching and engraving, circa 1749-1750, an excellent impress...

Giovanni Battista Piranesi (1720-1788)The Sawhorse, plate XII, from: Carceri d'InvenzioneEtching, engraving and sulphur tint, circa 1749-1750, a g...

Girolamo Faccioli (c. 1527-1574), Attributed to. Anchora inparo [Allegory of old age]Engraving, 1538, a slightly slipped impression on laid paper ...

Wenceslaus Hollar (1607-1677)Dark Fur Double-Muff with black Half-MaskEtching, circa 1642, a delicate well inked impression of this scarce small p...

Stefano della Bella (1610-1664)The Medici VaseEtching and engraving, circa 1656, an excellent clean impression of the the second state (of 2), on ...

Stefano della Bella (1610-1664)Design for a cartouche formed by a tiger skin and flanked by two centaurs, Plate 4 from 'Nouvelles inventions de Ca...

Stefano della Bella (1610-1664)Diverses Excercices de CavalerieEtchings, circa 1640-46, the set of 19 including title page, beautiful detailed imp...

Stefano della Bella (1610-1664)Divers Embarquements Faicts par S.D. Bella [Together with] Four oblong landscapesEtchings, the complete set of eigh...

Rembrandt van Rijn (1606-1669)Bust of an old bearded man, looking down, directed three-quarter to the rightEtching, 1631, a good impression from t...

Rembrandt van Rijn (1606-1669)Old Man with Flowing Beard: BustEtching, 1631, a fine delicate impression of New Hollstein's second state (of two), ...

Rembrandt van Rijn (1606-1669)The Artist's Mother Seated at a Table, Looking Right: Three Quarter LengthEtching with touches of drypoint, circa 16...

Rembrandt van Rijn (1606-1669)Sheet of Studies: Beggar Couple, Head of an Old Woman (fragment)Etching, with traces of drypoint, circa 1632, a good...

Rembrandt van Rijn (1606-1669)The Raising of Lazarus: The Larger PlateEtching and engraving, circa 1632, a good impression of New Hollstein's seve...

Rembrandt van Rijn (1606-1669)The Descent from the Cross: Second PlateEtching and engraving, 1633, but a later impression of New Hollstein's sixth...

Rembrandt van Rijn (1606-1669)The Stoning of St StephenEtching, 1635, a good impression of New Hollstein's third state (of four), on laid paper wi...

Rembrandt van Rijn (1606-1669)Self-Portrait in a Cap and Scarf with the Face darkEtching, 1633, a good well inked albeit later impression of New H...

Rembrandt van Rijn (1606-1669)Abraham casting out Hagar and IshmaelEtching with touches of drypoint, 1637, a good but slightly later faint impress...

Rembrandt van Rijn (1606-1669)Jan Uytenbogaert, 'The Gold Weigher'Etching and drypoint, 1639, a good impression of New Hollstein's third state (of...

Rembrandt van Rijn (1606-1669)The Angel Departing from the Family of TobiasEtching, 1641, a beautiful early impression of New Hollstein's second s...

Rembrandt van Rijn (1606-1669)The Raising of Lazarus: the small plateEtching with touches of drypoint, 1642, a very good clear impression of New H...

Rembrandt van Rijn (1606-1669)Self-Portrait in a Flat Cap and Embroidered DressEtching, circa 1642, a good but later impression of New Hollstein's...

Rembrandt van Rijn (1606-1669)Nude man seated and another standing, with a woman and baby lightly etched in the backgroundEtching, circa 1646, a g...

Rembrandt van Rijn (1606-1669)The Landscape with the CowEtching, circa 1650, a good clear impression of New Hollstein's second state (of 5), print...

Rembrandt van Rijn (1606-1669)Cottage and Boundary Post on the Spaarndammerdijk ('The Landscape with the Obelisk')Etching and drypoint, circa 1650...

Rembrandt van Rijn (1606-1669)The BathersEtching, 1651, a later impression of New Hollstein's third state (of three), on laid paper without waterm...

Rembrandt van Rijn (1606-1669)The Adoration of the Shepherds: A Night PieceEtching, circa 1652, a later impression of New Hollstein's ninth state ...

Rembrandt van Rijn (1606-1669)The Adoration of the Shepherds: With the lampEtching, 1654, a good impression of New Hollstein's final state (of thr...

Rembrandt van Rijn (1606-1669)Beggars Receiving Alms at the Door of a HouseEtching and drypoint, 1648, a good bold but later impression of the fif...

Rembrandt van Rijn (1606-1669)Nude man seated and another standing, with a woman and baby lightly etched in the backgroundEtching, circa 1646, but...

Rembrandt van Rijn (1606-1669)Three Heads of Women, One AsleepEtching, 1637, a later impression of New Hollstein's third state (of three) on thin ...

Francisco Goya (1746-1828)Bellos consejos, plate 15 from "Los Caprichos"Etching and aquatint, circa 1799, a good impression of the first edition, ...

Francisco Goya (1746-1828)Ni asi la distingue, plate 7 from "Los Caprichos"Etching and aquatint, circa 1799, a good impression of the first editio...

Francisco Goya (1746-1828)Three plates from 'The Disasters of War'Including plate numbers 9, 21, and 34, etchings and aquatint, circa 1810 but 186...

Sir James Thornhill (1675-1734)Great Parlour-door, Pan & Syrinx; Bed Chamber door Nept[une] & IphimediaTwo drawings, pencil and grey wash, ruled b...

John Hamilton Mortimer (1741-1779)Banditti; and PilgrimsTwo works, pen and black ink on buff paper, both circular and approx. 290 x 290 mm (11 3/8...

George Romney (1734-1802)John Howard visiting a LazarettoPencil, circa 1790, on laid paper with partial watermark, sheet 158 x 194 mm (6 1/4 x 7 5...

Jean-Michel Atlan (1913-1960) after.Les Mirroirs Du Roi SalomonThe deluxe book, 1962, comprising forty-seven lithographs after original designs by...

André Beaudin (1895-1979)BucoliquesThe book, 1934, comprising twenty-one etchings (eleven hors texte), with title-page, text and justification, th...

Fernando Botero (b.1932)Mujer FumandoLithograph printed in colours, 1965, an unsigned proof aside from the edition of 150, on wove paper, with ful...

Félix Bracquemond (1833-1914)La Terrasse de la Villa BrancasEtching, 1876, final state, from the edition of unknown size, on laid paper, with marg...

Mary Cassatt (1844-1926)Nursing (Breeskin 135iii)Drypoint printed in sepia with warm plate tone, circa 1890, signed in pencil, on laid paper, with...

Paul Cézanne (1839-1906) after.Le Déjeuner sur L'Herbe (Cherpin 9; Leymarie-Melot 9)Lithograph printed in colours, a fine richly inked impression,...

δ Marc Chagall (1887-1985)La Britchka S'est Renversée pl.14, from Les Âmes Mortes (Cramer 17)Etching, 1948, signed in pencil, from the edition of ...

δ Marc Chagall (1887-1985)Self Portrait with a Smiling Face (Kornfeld 42)Etching with drypoint, 1924-25, signed in pencil, numbered from the editi...