British & European Paintings, 19th & 20th Century Prints & Drawings, Antiques & Historic Textiles

Cotman (John Sell, 1782-1842). Etchings by John Sell Cotman, London: Published for the author by Messrs. Boydell & Co., Colnaghi & Co.; York: Todd...

* Géricault (Théodore, 1791-1824). Cheval devoré par un Lion, 1823, crayon lithograph, a fine impression of the rare second state (of four), befor...

* Rossini (Luigi, 1790-1857). Veduta dell'Arco di Settimio Severo nel Foro Boario, & Avansi della Curia Ostilia sul Monte Celio, two etchings on w...

* Martin (John, 1789-1854). Death of Abel, & 5 others, from Illustrations to the Bible, (1831-1835), 6 uncoloured mezzotints on wove paper, each w...

* Martin (John, 1789-1854). The Fall of Babylon, 1831 & Belshazzar's Feast, 1832, two large mezzotints,final state, late printing, with the printe...

* Jacque (Charles Émile 1813-1894). Le Troupeau de Porcs, 1890, etching and drypoint printed in bistre, a fine atmospheric proof impression printi...

Palmer (Samuel, 1805-1881, & Others). A Selection of Etchings by the Etching Club, London: Joseph Cundall & Thomas Bosworth, 1865, 12 original etc...

* Haden (Seymour, 1818-1910). Kensington Gardens II (Large Plate), 1859, etching with drypoint, on laid paper, a rich, atmospheric impression of S...

* Jongkind (Johann Barthold, 1819-1891). Moulins en Hollande, 1867, etching on laid paper, a very good impression of the apparent first state (of ...

* Corot (Camille,1796-1875). Dans les Dunes, Souvenir du Bois de la Haye, 1869, etching, a very good, atmospheric impression of the second (final)...

* Tissot (James Jacques Joseph, 1836-1902). Le Banc de Jardin, 1883, mezzotint, a superb, velvety, dark and richly inked impression of the first s...

* Tissot (James Jacques Joseph, 1836-1902). Le Matin, 1886, mezzotint on cream chine collé (on white wove paper), a good impression of the second ...

* Sisley (Alfred, 1839-1899). Bords du Loing, La Charrette, 1890, etching, a very good, delicate impression, without letters (there was an edition...

* Strang (William, 1859-1921). Portrait of Thomas Hardy, No.2, 1894, etching on pale cream wove paper, signed in the ground and dated '93, signed ...

* Bauer (Marius 1867-1932). In Stamboul, etching, signed in pencil 'MB' lower right, numbered 43, image size 38.4 x 49.5 cm (15 1/8 x 19 1/2 ins),...

AR * Craig (Edward Henry Gordon, 1872-1966). Mask, 1908, woodcut, on soft, tissue-thin laid Japan paper, signed with the artist’s monogram and dat...

* Brangwyn (Frank, 1867-1956). Four various works, etchings, including three scenes of crowds and one landscape showing boats docked on the shore ...

* Nieuwenkamp (Otto Wynand, 1874–1950). View in Dordrecht, 1897, from the set of six etchings by Nieuwenkamp and Johannes Graadt van Roggen (1867-...

* Sickert (Walter, 1860-1942). Femme de Lettres (The Large Plate), 1911-12, etching on laid paper, 5th state (of 7), before all lettering, and bef...

* Zorn (Anders, 1860-1920). Self Portrait, 1916, etching, a fine, bright impression of the third (final) state, signed in pencil, on laid paper wi...

* Nevinson (Christopher Richard Wynne, 1889-1946). Assembling Parts, 1917, lithograph on wove paper, two neat short closed tear repairs to lower l...

* Sparks (Nathaniel, 1880-1957). Shadow and Shade, etching, a fine impression, printing with rich contrasts, on wove paper watermarked 'Millbourne...

* Austin (Robert Sargent, 1895-1973). A Roman Madonna, 1922, etching, a very good, clear impression of the second (final) state, printing with pla...

AR * Gross (Anthony, 1905-1984). El Muerto del Ultimo Piso (The Dead Man from the Top Floor), 1924, etching on pale cream laid paper, dated 1924 ...

AR * Segonzac (André Dunoyer de, 1884-1974). Versailles, le Grand Trianon vu du canal, 1924, etching printed with plate tone on Van Gelder wove p...

AR * Drury (Paul, 1903-1988). Evening, 1925, etching on laid paper, a fine, impression of the third (completed) state, before the plate was cance...

AR * Drury (Paul, 1903-1988). Nicol's Farm, 1925, etching on tissue-thin, fibrous Japan paper with wirelines, a fine, bright and atmospheric impr...

* Gill (Eric, 1882-1940). Madonna and Child with Children (2nd State), 1925, wood engraving, numbered 39/50, signed in pencil to lower right, imag...

* Larkins (William Martin, 1901-1974). Underwood Street, Whitechapel, circa 1925, etching, a very good impression of the third (final) state, on l...

* Soper (George, 1870-1942). Summer, the Last Load, drypoint etching on pale cream wove paper, signed in pencil, laid down on backing card, and ou...

AR * Tunnicliffe (Charles Frederick, 1901-1978). The Old Quarry Road, 1926, etching, a very good impression, on laid paper, signed in pencil and ...

AR * Laurencin (Marie, 1853-1956). L'Éventail Rose, 1927, etching with roulette printed in black, blue and pink, on wove paper, presumably fourth...

* Nash (John, 1893-1977). Black Bryony, Deadly Nightshade, Yew, and Monk’s Head (from Poisonous Plants: Dangerous, Deadly and Suspect), 1927, four...

AR * Nash (Paul, 1889 - 1946). Bouquet, 1927, woodcut printed in black on wove paper, signed, titled, dated and numbered 16/50 in pencil, with fu...

* Pach (Walter, 1883-1958). New York, 1927, etching on cream wove paper, signed and dated in ground, plate size 17.6 x 12.6 cm (6 3/4 x 5 ins), wi...

AR * Sutherland (Graham, 1903-1980). Hanger Hill, 1927, etching on pale cream laid paper, with indistinct watermark, the full sheet, published by...

AR * Tunnicliffe (Charles Frederick, 1901-1979). The White Horse, 1927, etching and drypoint on pale cream wove paper, published by H C Dickins i...

AR * Bawden (Edward, 1903-1999). London Back Garden, 1927-1929, engraving, a fine, clear impression, on thick wove paper, watermarked '50 % cotto...

* Holmes (Kenneth, 1902-1994). Horse Fair at Skipton, etching, signed in pencil to margin, sheet size 29 x 41.5 cm (11 3/8 x 16 3/8 ins), mounted ...

* Sandzén (Birger, 1871-1954). Wind whipped Pines, 1928, crayon lithograph, on Arches laid paper, a very good, rich impression, signed and titled ...

AR * Tunnicliffe (Charles Frederick, 1901-1979). To the Slaughter, 1928, etching, a very good, rich impression printing with selectively wiped to...

* Daglish (Eric Fitch, 1894-1964). Draped Female Nude, wood engraving, on tissue-thin, fibrous Japan with wirelines, a very good, black impression...

AR * MacNab (Iain, 1890-1967). Le Quai de l'Île, Annecy, circa 1929, wood engraving, on thin, soft, translucent Japan paper, an excellent, black ...

* Brammer (Leonard Griffith, 1906-1994). The Seven Sisters (Flaxman Tile Works, Burslem), from Five Towns,1930, etching, a fine, atmospheric impre...

* Temple (Vere Lucy, 1898-1980). Resting Reedbuck, circa 1930s, line engraving, on thin laid paper, a very good impression printing with a light p...

* Wetheral (M.L., 20th Century) Diana the Huntress, circa 1930, wood engraving, a very good, black impression on simili Japan paper, signed in pen...

* Gooden (Stephen, 1892-1955). Death and the Woodman, & The Acorn and the Pumpkin (from Les Fables de la Fontaine), 1931, engravings, very good im...

* Farleigh (John, 1900-1965). The Black Girl, 1932, wood engraving on japan, and artist's proof of the illustration for Bernard Shaw's The adventu...

AR * Gibbings (Robert, 1889-1958). MId Coral Caves, Bermuda, from Fourteen Wood Engravings, 1932, wood engraving on thin, fibrous Japan paper wit...

* Rushbury (Henry, 1889-1968). Carcere, San Gimignano, 1925, etching with drypoint, a fine, richly inked impression of the fourth (final) state, p...

* Sandzén (Birger, 1871-1954). The Sentinel of the Mesa, 1933, crayon lithograph, on wove paper, a very good, rich impression, signed, titled and ...

* Arms (John Taylor, 1887-1953). Venetian Mirror (The Grand Canal, Venice) from the Italian Series, 1935, etching on JW Whatman laid paper, with m...

AR * Gibbings (Robert, 1859-1958). Cannibal: Frontispiece to Chapter 1, Book the Fifth of Le Morte d'Arthur, The Story of King Arthur and his Nob...

AR * Anderson (Stanley, 1884-1966). The Stone Breaker, 1940, copper line engraving, on pale cream wove paper, a fine, crisp impression printing w...

AR * Anderson (Stanley, 1884-1966). Sheep Shearing, 1941, copper line engraving, on pale cream laid paper with a Pro Patria watermark, a fine, cr...

AR * Anderson (Stanley, 1884-1966). The Basketweaver, 1942, copper line engraving, on pale cream, thick wove paper, a fine, crisp, and clear impr...

AR * Anderson (Stanley, 1884-1966). The Country Pedlar, 1943, copper line engraving, on pale cream laid paper, watermarked O.W.P. & A.O.L., a fin...

* Brammer (Leonard Griffith, 1906-1994). Bottle Ovens, Lustre Kiln and old decorative 'Shops', Wedgwood, Etruria, circa 1948, etching, a strong, a...

* Eichenberg (Fritz, 1901-1990). And David Played the Harp, And in Her Mouth was an Olive Leaf, & The Peaceable Kingdom, 1955, three wood engravin...

* Tanner (Robin, 1904-1988). British Etchers 1850-1940, by Kenneth M. Guichard, London: Robin Garton, 1977, the deluxe edition of 1000 including t...